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Words near each other
・ Everybody Needs Love (The Temptations song)
・ Everybody Needs Somebody to Love
・ Everybody on the Floor (Pump It)
・ Everybody Ought to Have a Maid
・ Everybody Ought to Treat a Stranger Right
・ Everybody Oughta Sing a Song
・ Everybody Out!
・ Everybody Out! (album)
・ Everybody Plays the Fool
・ Everybody (EP)
・ Everybody (Gods Child album)
・ Everybody (Ingrid Michaelson album)
・ Everybody (Justice Crew song)
・ Everybody (Keith Urban song)
・ Everybody (Kinky song)
Everybody (Madonna song)
・ Everybody (Martin Solveig song)
・ Everybody (Rudenko song)
・ Everybody (Shinee song)
・ Everybody (Stabilo song)
・ Everybody (Tanel Padar and Dave Benton song)
・ Everybody (The Sea and Cake album)
・ Everybody (Tommy Roe song)
・ Everybody Breaks a Glass
・ Everybody Can Suck It
・ Everybody Cha-cha-cha
・ Everybody Clap
・ Everybody Clap (Lulu song)
・ Everybody Come On
・ Everybody Come On Out


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Everybody (Madonna song) : ウィキペディア英語版
Everybody (Madonna song)

"Everybody" is a song by American singer Madonna from her eponymous debut studio album ''Madonna'' (1983). It was released on October 6, 1982 by Sire Records as her debut single. Madonna had recorded a demo of the song with Steve Bray. She urged DJ Mark Kamins, who played at her dance club, to play it. He was impressed by the song and took her to Sire Records, who signed her for a two-song deal. However, after the recording of the two singles was over, Sire executive Michael Rosenblatt was not impressed with the production of the other song and decided to release only "Everybody".
By incorporating R&B infused beats in the music and not including her image on the cover artwork, marketing for the song gave the impression of Madonna as a black artist. That impression did not last long as Madonna would later convince Sire executives to shoot a music video for the song. The low-budget video directed by Ed Steinberg showed Madonna and her friends in a club singing and dancing to the song. The video helped to further promote the song and Madonna as an artist.
Critically, "Everybody" did not receive any acclaim and failed to enter the official ''Billboard'' Hot 100 chart. It did, however, appear on the dance charts. The song helped Madonna achieve her first appearance in a dance magazine. She has performed "Everybody" live a number of times. It was first performed during The Virgin Tour, then as the final song of The Girlie Show World Tour, later on The MDNA Tour and most recently on the Rebel Heart Tour. The song was included in a remixed form on Madonna's 1987 remix album, ''You Can Dance'', and on the deluxe edition of her 2009 compilation album, ''Celebration''.
==Background and recording==
In 1982, the 24-year-old Madonna was living in New York and trying to set up her music career. She was joined by her boyfriend from Detroit, Steve Bray, who became the drummer of her band, The Breakfast Club, which generally played hard-rock music. After that, however, they abandoned playing songs in the hard-rock genre and got signed by a music management company called Gotham Records with the plan of pursuing a new musical direction. They decided to pursue the funk genre but the record company was not happy with their musical abilities, hence they were dropped, and Madonna and Bray left the band.〔 Meanwhile, Madonna had written and developed some songs on her own. She carried rough tapes of three of the songs, namely "Everybody", "Ain't No Big Deal" and "Burning Up". At that time, she frequented the Danceteria nightclub in New York. It was there that Madonna convinced the DJ Mark Kamins to play "Everybody" for the crowd,〔 and the song received a positive reaction. Kamins offered to get her a record deal with the understanding that he would produce the single.〔 Kamins presented Madonna to his boss, Chris Blackwell who was the owner of Island Records, but Blackwell rejected her. Madonna finally went to Sire Records in 1982. Michael Rosenblatt, who worked at the artists and repertoire department of Sire, commented that,

"Madonna is great. She will do anything to be a star, and that's exactly what I look for in an artist: total co-operation... With Madonna, I knew I had someone hot and co-operative, so I planned to build her career with singles, rather than just put an album right away and run the risk of disaster."

Rosenblatt offered Madonna $5,000 in advance plus $1,000 in royalties for each song she wrote. Madonna was ultimately signed for two 12 inch singles by the President of Sire, Seymour Stein, who was impressed by her singing,〔 after listening to "Everybody" at a hospital in Lenox Hill where he was admitted.〔 The 12 inch version of "Everybody" was produced by Mark Kamins at Bob Blank's Blank Tapes Studio in NYC. Kamins was romantically involved with Madonna at that time. He took over the production work from Steve Bray.〔 The new recording ran 5:56 on one side and 9:23 for the dub version on the flipside. Madonna and Kamins had to record the single at their own cost. Arthur Baker, friend of Mark Kamins, guided him through the role of a music producer and provided him with studio musician Fred Zarr who performed his keyboard wizardry on the track. Zarr became one of the common musical threads on the album by eventually performing on every track. Due to the restrained budget, the recording was a hefty affair as Madonna could not understand Kamins' directions and Kamins himself faced problems directing. Hence the A-side "Ain't No Big Deal" did not become as successful as everyone expected. Rosenblatt wanted to release "Everybody" with "Ain't No Big Deal" on the other side, but later changed his mind and put "Everybody" on both sides of the vinyl record after hearing the recorded version of "Ain't No Big Deal".〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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